Meiningen, Warsaw, Salzburg and Schwetzingen! Stay tuned!
Countertenor and Creator
Nicholas Tamagna is a European-based countertenor recognized for the depth, power, and dramatic intensity of his voice. Equally at home in Baroque masterworks and contemporary opera, he brings technical precision and emotional immediacy to every role.
A specialist in Handel, Tamagna has appeared at major European houses including Badisches Staatstheater Karlsruhe and Theater an der Wien, as well as the Metropolitan Opera. His interpretations are marked by expressive clarity, virtuosic coloratura, and a rare ability to fuse historical style with theatrical truth.
Beyond the stage, Tamagna is a dedicated pedagogue and serves as chairman of Forum Neue Kunst e.V., where he develops projects connecting early music traditions with contemporary creation.
A specialist in Handel, Tamagna has appeared at major European houses including Badisches Staatstheater Karlsruhe and Theater an der Wien, as well as the Metropolitan Opera. His interpretations are marked by expressive clarity, virtuosic coloratura, and a rare ability to fuse historical style with theatrical truth.
Beyond the stage, Tamagna is a dedicated pedagogue and serves as chairman of Forum Neue Kunst e.V., where he develops projects connecting early music traditions with contemporary creation.
Repertoire
| Work | Composer | Year |
|---|
On the record...
Where to next?
TBC
Oct
2026
Countertenor Gala Concert
October 2026 — date and programme to be confirmed.
Staatstheater Meiningen, Germany
5
Nov
2026
Flavio, re de' Longobardi (Händel) | Guido
Großes Haus, Staatstheater Meiningen
6
Nov
2026
Giulio Cesare (Händel) | Tolomeo
Warsaw Chamber Opera, Warsaw, Poland
7
Nov
2026
Giulio Cesare (Händel) | Tolomeo
Warsaw Chamber Opera, Warsaw, Poland
8
Nov
2026
Giulio Cesare (Händel) | Tolomeo
Warsaw Chamber Opera, Warsaw, Poland
3–8
Dec
2026
La Serenata dei delitti (Stradella) | Alessandro Stradella
At least two of the five performances (3, 4, 5, 6 and 8 December) — which ones the house designates is decided in rehearsals. New production for the Warsaw Chamber Opera's 65th anniversary, directed by David Pountney.
Warszawska Opera Kameralna, Warsaw, Poland
16
Dec
2026
Flavio, re de' Longobardi (Händel) | Guido
Großes Haus, Staatstheater Meiningen
25
Dec
2026
Flavio, re de' Longobardi (Händel) | Guido
Großes Haus, Staatstheater Meiningen
16
Jan
2027
Flavio, re de' Longobardi (Händel) | Guido
Großes Haus, Staatstheater Meiningen
20
Feb
2027
Flavio, re de' Longobardi (Händel) | Guido
Großes Haus, Staatstheater Meiningen
2
Mar
2027
Flavio, re de' Longobardi (Händel) | Guido
Großes Haus, Staatstheater Meiningen
18
Apr
2027
KALEIDOSCOPE — "Live on Tape" | Kammerballetten x Concerto Copenhagen
Musikhuset Aarhus, Denmark
Showing 5 of 11 performances
The Many Faces of Tamagna
What Critics Are Saying...
Og da sangeren Nicholas Tamagna stiller sig midt på scenen med sin bløde kontratenorstemme, lægger Simon Kongsted sig for fødderne af ham for at kopiere hans oprørte armbevægelser. Som et forskudt spejl.
And when the singer Nicholas Tamagna places himself centre stage with his soft countertenor voice, Simon Kongsted lies down at his feet to copy his agitated arm movements. Like a displaced mirror.
Die Fähigkeit des Sängers, wie Orpheus alle zu befrieden mit seinem Gesang
The singer's ability, like Orpheus, to bring peace to them all with his song
begeistert Nicholas Tamagna als lieber Verräter mit saftig tiefsatten Tönen.
Nicholas Tamagna delights as the dear traitor with richly saturated low tones.
Tamagna lent a sleek, beautifully lyrical sound and superb control of trills to Armindo's music, all the while revealing a remarkable talent for physical humor. While singing flawlessly, he crawled up a spiral staircase and dangled from the edge - in an homage to the silent film comic actor Harold Lloyd - and climbed through a water closet transom. When he finally won the girl, he tap-danced, brandishing top hat and cane.
But the star of the group, and indeed of the whole show, was Nicholas Tamagna's Giustino. His voice is absolutely superb, whether in the long lyrical phrases of his first aria, or the extraordinary coloratura of some of his later utterances, or the two beautiful duets with Lauren Lodge-Campbell, and true as a die in all of its varied settings.
Size aside, every singer onstage last night was competent at worst, splendid at best. Let me single out Nicholas Tamagna, an American countertenor. He was not the main countertenor - that was Iestyn Davies, in the role of Ottone - but he gave us an exceptionally beautiful sound. His character, Narcissus, was ridiculous - maybe Narcissi have to be - but this could not disguise the beauty of that voice.
The countertenor Nicholas Tamagna, as the worse son, Farnace, was charismatic, vibrant in recitative and with full, rounded tone in his arias.
It is even more impressive that, with Giulio Cesare, Bel Cantanti is highlighting a young American countertenor as Cesare, Nicholas Tamagna, who looks to be one of the most remarkable performers in his vocal range to emerge over the last few decades.
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